Thursday, October 2, 2014

To the Police

To the Police
Could the police have a quick look and see if any new videos of my detractors who went to prison and ate shit have been posted online? I'm hearing praise for one of them. So how do you expect victims of this kind of crime to survive to the point where they finally have justice? Would I be in jail now if I didn't know how to write blogs? Too bad for all the artists who didn't possess writing skills, eh? I guess they're all dead. I wonder who's getting all the credit for their work right now.

I added some more new putdowns to my Thousand-Year Blog. Those putdowns have really added up since they threw Tina Fey in prison. See how poor our justice system is when it lets fiends get at their victim like that.

I'm not criticizing you. I know you work hard. Every time I was suddenly cornered by Beyonce fans or Rolling Stones fans or Simpsons fans or Jay Leno fans or any fans of the dozens of other stars who stole my work, you have always appeared in the nick of time to discourage them from following through on their violent intentions. I know I am well protected physically, but I clearly lack protection from psychological abuse. This is a failure of our system which needs to be corrected. I will document another account of this psychological abuse now. (October 3rd, 4:20 pm). I think it's really getting out of hand.
  
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Fire Them All

Fire Them All
Just a quick note before I move on to my next point. When Jesus turned down the Devil's offer of all the money and power in the world because he didn't want to worship evil, do you think he made the wrong choice? Seems to me that people are so selfish these days, they'll choose money first over anything, including their souls. I wonder if they think they're Christian.

I wanted to talk a little bit about how I first attracted views to my online posts. This may have started as early as 2000, when I first posted daily short stories on the web. They seemed to attract attention. But the way I attracted views on YouTube was a little different. People don't go to your web page on YouTube to support you unless they know you. Since I was an outsider to start with, the only views I got were from strangers who needed to look at someone so 'pathetic' that they could feel better about their own lives. Stars especially like to browse through YouTube so they can look down on us ordinary people and reassure themselves of their superiority. That's why when my songs got popular, it was so hard for them to take. I wasn't with them and yet I was considered talented. They think that no one should be talented except themselves and their clique.

I don't just take what they did to my work as a personal insult, I see it as an insult against the whole population. I could have been any one of you or your loved ones and would have been abused the same way.

These people are reptiles. They don't listen to the music or enjoy it, they only look at the numbers of views on the page. And if that number exceeds the number of views on their page, they become irate. They start plotting to destroy this upstart. And it can go on for at least seven years, as I have since learned. I know my music was popular because no one would have stolen it otherwise. Conversely, a new song might be the greatest work of music ever written, but if it is unpopular, the author won't have to worry about it being stolen.

Why doesn't someone look through my indexes and the rest of this blog and erase it from the 2007-2010 television schedule? Is there anything left? What about music? Any revolutionary new sounds out there? I doubt it. I think that if all those industry people depended so much on one person for their content that they had to steal every word and every note of music he shared on the web, it will be impossible for them to make up for it in his absence. It won't be impossible for them to keep collecting their paychecks though, so they can continue to feel superior to the artist they robbed. That's all they're really good at, from what I can tell.
  
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Full of Broadcasting

Full of Broadcasting
As long as my mental health is up for debate, I should repeat what I already said in previous blogs in my defense. I supported myself with odd jobs for most of my life until 2007 when I started posting music on YouTube. I had no record of mental illness and was considered 'well above average' in my skills and abilities. It was only the horrific impact of so much fraud committed with the work I shared online that drove me onto disability. It is quite normal for a person to get depressed when everyone scowls at him and he doesn't know why. Since the wounds to my heart and my mind are very deep, I may still suffer from depression and legitimately qualify for disability benefits. But this mood disorder does not affect my ability to reason and to share my logical findings here on the web. My blogs make perfect sense, have not had to be removed for any legal reasons, and defy any accusations of insanity which have been leveled, most unjustly, against me.

I don't believe that people fit well into categories and I think that institutions should stop categorizing us. Once you belong to a category, your behavior is expected to conform to it. New stars, for instance, are expected to lust for power. When the media were hyping me in 2011 and 2012, which was simply a trap to lure me onto the celebrity graveyard of Dateline NBC, I was expected to surrender to the force of my stardom and swallow their bait. But I already walked away from a similar situation in late 2007 and it's too bad that they couldn't see that I am capable of resisting the temptation to assume a position of unquestionable power. Had they have made my experience of sharing a little more pleasant, instead of letting me fall prey to so many vicious frauds, perhaps I might have succumbed. But it's easy to walk away from stardom when all the TV wants to do is steal your work and lie about you on Dateline.

I don't try to write hits either. I just write what's in my heart. If it's a hit, it's by accident. Maybe this was the purity the business coveted so much that they had to steal it. They wanted to look like me, saying my truthful thoughts, singing my honest songs, so that people would trust them. And in turn, they wanted everyone to doubt and hate me because I criticized them. Did you trust Jay Leno more when he bashed Rupert Murdoch? Did you trust Saturday Night Live more when they bashed network executives? Did you trust HBO more when George Carlin went on there and bashed businessmen? Did you trust Ellen more when she bashed herself? If you did, you probably feel pretty foolish about it now. And are they blaming your embarrassment on me? Sounds like you're headed for more embarrassment - or worse - by continuing to give them your attention.

Dateline's end-of-the-line stage was the only stage they wanted me on. They wanted me to sacrifice my future like that poor musician who ended up killing himself after appearing on that show. But I've never been on Dateline and never will I set foot in that studio. That's just a crooked news show that thrives on sensationalism and gossip, which people like myself tend to cause by having a large presence on the web at the same time as they lead solitary, ordinary lives. The 'entertainment' business won't help me to put together a legitimate show to entertain people because they know I would sound good, contrary to all the lies they've been feeding you. So now we have the real author of those songs that made girls scream but they want the world to be unimpressed with him after they hyped the pricks who stole his tunes. This isn't hard to figure out.

Broadcasting is full of shit right now. It is not worth watching. As long as they leave me insulted like this and hide fraud from you like they did with Beyonce's theft of my Under My Umbrella for the last six years, they can not be trusted. And don't expect the radio to offer any sort of alternative. Joseph Goebbels boasted that he put a radio in every German home in the 1930's. He also thought that the state should exploit the new broadcasting technology to strengthen its rule over the population. Why did Goebbels like the radio so much? And aren't radio programs broadcasted with giant transmitters the same way television is broadcasted? I bet if you tilt one of those dishes on its back, you could fit the brains of every person in its region inside.

Broadcasting might not always be this bad, with stars and reporters going to prison by the busload. I will not trust them, no matter how much they hype me, unless I see my share of that money they made from all my work. Until then, they can all go to Hell.
  
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Band of Browsers

Band of Browsers
I'm going to remind the business of one of your own rules that were outlined to me seven years ago when it looked like one of my songs had turned me into a star. You are not allowed to tarnish the image of a star. This rule does not apply when your stars tarnish themselves, as they did when they lied by telling everyone they created my work. You seemed to think it was okay to tarnish my image as long as I erased my work. For that reason I will keep my restored work online in my account here for the rest of my life. And now that I have shared this statement about how it is illegal to tarnish my image, I would like my readers to do a Google image search on my name and flag all images of me which present me in an unfavorable light. Thank you. And when those posts are removed, you can rest assured that the people who posted them are in jail - probably not for the first time.

I hear about how that mental case keeps reappearing online and has to be forced offline practically every day. It might be a good idea to restrict internet access to these fiends if all they're going to do is perpetually re-post their filthy lies.

Should I be impressed that Beyonce was incarcerated for stealing Under My Umbrella from me? I'm sure she made enough fraud money from her crime to bail herself out quickly. But why did everyone let Beyonce go ahead and take my song back in 2008? Was it because the Crystalids were so wildly successful at that time with all the songs they stole from me? In 2008, around the time I posted a song called Fuckup (Now You're earning fifty K, the best job you could suck up: testing faulty parachutes, you'd best not use your luck up...), I'd been socializing with vloggers on YouTube and I saw one of them say that there was a top secret party for all the most prominent YouTube members - excluding me, of course. Maybe they all got together to agree that Beyonce should have my new hit and that the Crystalids should have my hit from the previous year. Since people like Jay Leno and Tina Fey and Mick Jagger and Coldplay ripped me off and were in a position to advance the careers of these YouTube stars, this is not such an unlikely possibility.

So how are they enjoying their success now? Did the business pay them enough money to rip me off and ruin my image? Did they have to go to prison and eat shit? Did they have enough money for being on the side of evil to bail themselves out? What a shallow life they must live to structure it all around appearances and never face reality. No wonder they can't produce interesting work. Oh look, front page headline: they're going to another party. Yawn!
  
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Wednesday, October 1, 2014

Hit and Miss

Hit and Miss
The minority of my readers who can't stand it if I feel the slightest pleasure for even the shortest amount of time will have to indulge me at the moment. I'm thinking of how my detractors didn't think I would survive to the present to share the details of my experience of the last few years to a large group of trusting online readers. That's because they told the world that I was Hitler and that I was a child molester and that I stole all my work and that I had a 'signed dick'. This misinformation came to most people through trusted channels in the media or 'through the grapevine'. It's quite miraculous that I survived the intense, bitter hate of the whole world for such a long time. You'd think that I wouldn't have lasted five minutes on a public street with such an offensive public image, but here I am. And I can't help but chuckle over it. Sorry.

I was conversing with a friend from my building a few weeks ago who raised an interesting point. She said that if those who put great effort into stealing other people's songs would simply put that effort into their own work, they would produce their own hits. On the surface this sounds logical but my personal experience of authoring several hit songs contradicts it somewhat. My experience has taught me that hit songs are more the product of one's time than of one's labor. Look at Under My Umbrella. I wrote it so fast that I couldn't even remember writing it. But in retrospect, given Beyonce's success with it, no one will argue that it didn't fit beautifully into the time I wrote it. My effort was largely irrelevant to its popularity.

Since an artist has no control over the time in which he lives, he has little or no control over the popularity of his work. I can offer no advice except to try to express your true heart in your work. That way, even if your songs don't sell, you can still consider them a personal success.

As for making money in the entertainment business, I can't help you with that one either. I've heard a lot of talk about 'establishing connections' and 'developing an image' but I never hear a word about having talent. I think that talent is all an artist should essentially need to be successful. To say that an artist's success depends on other things is to insult all talent - not just me. And I would hesitate to buy any music or DVD's that came from an industry that insults talent.
  
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The Stars They Support

The Stars They Support
After working long hours for a week in preparation for the Madonna show in '08, the very last chore I was 'ordered' to complete was apparently to humiliate myself. I was asked to forklift a load up to a high shelf and then asked to take it down. I was repeatedly asked to perform this worthless task, with no regard for the hazard caused by having my forks raised up to their most unstable point. A short time later, I heard that a structure collapsed during a set-up of a Madonna show in Europe and injured a bunch of her workers. Gee, I wonder why.   
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Is HBO Racist?

Is HBO Racist?
Remember when Bill Maher of HBO was telling everyone that 'white men should not play the blues'? Isn't that an extremely racist comment? What's he trying to say? Does he think white people don't get depressed? That's insane. What is he implying? That black men shouldn't write classical symphonies either? Nonsense. He was yacking on and on about some white musician who he thought shouldn't play the blues because this white musician wrote 'beautiful ballads'. Any idea who he was talking about? And had someone recently stolen one of the white man's beautiful ballads at the time? What color was she? Anyway, I don't want his recklessness to turn into a race war here. I credit African Americans for inventing the blues, but I agree with B.B. King that the blues are not 'played' but 'felt'. Everyone has feelings.

You put this Maher together with George Carlin making everyone laugh about 'bombing brown people' and you must wonder about HBO. It's one thing to be politically incorrect and quite another to be a cold hearted racist.
  
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